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Soft Cell's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell with Marc Almond at Leeds during 1977

The talented musician, one half of the pioneering 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the duo achieved a global success with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record their initial full-length release is regarded as a seminal work of synth-pop.

He later formed the innovative electronic act The Grid, who secured chart success with their 1994 single the hit Swamp Thing.

Ball died peacefully in his rest at his residence in London on October 22, only a short time after playing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

At that show, Ball appeared in a mobility chair, as he had for the last two years, following a spate of ill-health.

"I ended up injure myself quite a bit," he stated in a recent interview. "I broke spinal bones in my back and cracked about multiple ribs and fractured my arm."

Following catching a lung infection and developing blood poisoning, he was put in an induced coma and stayed in the hospital for seven months.

Nevertheless, he had been in "high spirits mentally" during the summer, as he was developing a new album with Almond, titled Danceteria, which is set for publication in the coming year.

"He was focused and very pleased with the latest project that we literally finished only a short time ago," stated the singer in a tribute.
"It's truly heartbreaking as next year was all set to be such an positive year for him, and I take some solace from the fact that he listened to the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the beginning of the decade

Tributes

Almond referred to his collaborator as "an exceptionally talented musical genius", adding: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an significant part of my life and for the music you created with me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "constant humor" and "steadfast support".

"Forming a duo with someone is distinct from joining a band, the connection is incredibly close," he added.
"That was the case with us. We went through so many remarkable, extraordinary, life-affirming moments together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Early Life

Brought into the world into a single-parent household in Chester in the late 50s, Ball was given up for adoption when he was 18 months old.

He was raised in the seaside town with his new family Donald and Brenda Ball, who altered his first name from his birth name to his adopted name, alongside his younger sister his sister, who was similarly welcomed.

He encountered Almond at an art college in the late 70s, where they were both learning fine arts. Fuelled by a mutual passion of a music genre, they established Soft Cell the very year, and promptly produced an EP.

Musical Partnership

The duo were an distinctive pairing: Ball was the quiet technician, hunched over his synthesizer, while Almond was a charismatic performer, all glitter and makeup; but they attained a unique creative synergy.

Ball had developed a fascination with synthesizers after viewing Kraftwerk perform on BBC science show a popular series, and started to marry moody electronic sounds to the catchy tunes Almond was writing.

Their signature song became the UK's second most popular single of 1981, selling millions of copies worldwide. Alongside hits by Gary Numan, Human League and electronic acts, it contributed to paved the way for the electronic music style of the 80s.

The song was also included on their first album, their initial LP, which spawned two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the separate release, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The pair were working on new material until just before Ball's passing

Professional Journey

Success had its benefits. "I loved being able to purchase my initial property, having money and travelling, which might seem like a Miss World," Ball recently told with a music magazine.

But it also caused problems. "Sudden riches allowed we could afford newfound drugs to alleviate the boredom" of press appearances and TV performances, Ball said.

"I realize that's a common saying, but it's a cliché for a valid cause, because it works for so many bands."

During the party-filled existence, the duo were also drifting apart, but they managed to create a follow-up classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They put out one more LP, their 1984 release This Last Night In Sodom, before ending the band to concentrate on other projects.

Almond proceeded to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with melodic sounds over a enduring partnership.

Later Work and Comebacks

Soft Cell came back together in 2001, releasing the charting record Cruelty Without Beauty.

After another break, they reappeared in 2018, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the O2 Arena on 30 September, that year.

However, they remained active, creating their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately described the band's new album as a homage to the New York club scene they frequented while recording their initial records.

He added that his time in hospital had shaped the group's music.

"I experienced strange recollections when I was coming and going of the hospital because I was on pain medication," he explained to a publication.
"The new songs are a electronic representation of the sounds in my head from that time.
"In parallel, it's about the experiences we got up to in the 1980s."

The final mixes were finished only a short time before Ball died. It is due for release in Spring 2026.

By

Steven Wilson

A seasoned technology journalist with over a decade of experience covering emerging tech and digital transformation.

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